George Legrady is one of the pioneers who examine artistically the visual outcome of algorithms by creating new forms of visualizations and 3D installations.
Read MoreBig Image Data within the Big Picture of Art History
New technology calls for a new definition of the role of the art historical researcher and the tools being used.
Read MoreLarge-scale Classification of Fine-Art Paintings
With the availability of large collections of digitized artworks comes the need to develop multimedia systems to archive and retrieve this pool of data.
Read MoreCultural Analytics and Aby Warburg’s Mnemosyne
By extending the methodology of media archaeology to the praxis of Cultural Analytics/Media Visualization the author asks how to compare a multitude of diverse images.
Read MoreSocial Network Centralization Dynamics in Print Production
The development of a professionalized, highly centralized printmaking industry in northern Europe during the mid-sixteenth century has been argued to be the inevitable result of prints' efficacy at reproducing images…
Read MoreGugelmann Galaxy: An Unexpected Journey
The project presented here, Gugelmann Galaxy, lets the user explore an entire collection of digitized images and their textual metadata in an immersive three-dimensional cloud.
Read MoreDirect Visualization Techniques
Direct visualizations of image data make use of the images in their original visible format.
Read MoreLinking structure, texture and context in a visualization of historical drawings
A case study on digital representation of the art historical research and metadata brought together for a scientific collection catalogue by the Prussian Palaces and Gardens Foundation Berlin-Brandenburg.
Read MoreComputing Art. A Summer School
Review of the summer school for digital art history organized by the Computer Vision Group Heidelberg.
Read MoreVisualizing Venice Summer Program 2015
The Wired! group at Duke University began to offer workshops in 2009, and since 2012 these have been taught on site at Venice International University.
Read MoreFull Issue: What is Digital Art History?
With the rising importance of the so called Digital Humanities, Art History is about to change significantly.
Read MoreEditorial: What is Digital Art History?
Digital art history is a field and discourse rife with crossings, interjections, and transitions…
Read MoreFeatured Article: Data Science and Digital Art History
This article presents a number of core concepts from data science that are relevant to digital art history and the use of quantitative methods to study any cultural artifacts or processes in general.
Read MoreInterview: On Applying Signal Processing
Richard Johnson explains to Park Doing how he was entering the world of art history, museums, curators, and conservators.
Read MoreForgotten Genealogies
The past five years have witnessed a growing interest amongst art historians in the potential of digital projects to impact, if not transform, the discipline.
Read MoreDebating Digital Art History
This paper offers a few reflections on the origins, historiography and condition of Digital Art History.
Read MoreReframing Art History
The aim of this essay questions the role of the framing device in the context of image appropriation and critical interpretation of visual documents.
Read MoreDistant Viewing in Art History
With reference to the concept of distant reading in literary history, distant viewing is a valuable analogy for a quantitative approach to art history.
Read MoreA Quantitative Approach to Beauty
Has human beauty always been perceived in the same manner?
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