Schedule
Good morning and welcome to the second day of the College Art Association Annual conference. There are over 30 digital art history sessions to choose from today, Thursday, February, 13th.
As always, we would love to hear from you and share your experience of DAH content at this years CAA conference. Please let us know if there is a DAH session you feel is missing or should be removed from this list . Email us at: news@dahj.org.
Early Morning Sessions
Advanced Topics in Digital Art History: 3D (Geo)Spatial Networks
African Cultural Patrimony in An Age of New Digital Image Regimes
Towards a web-based representation of spatial change over time at San Julián de Samos
Living Beings and Movement in Historical Space: Opportunities in Agent-based Modeling
Mid-Morning Sessions
Mapping Senufo: Rethinking the Art-Historical Monograph in the Era of Digital Publication
Capturing Scholarship and Datasets in Contemporary Art: the Joan Jonas Knowledge Base
Lunch Sessions
Creating Digital Humanities Projects in Art and Art History
Formulating an Ancient American Provenance Database
Digital Art History Society - Business Meeting
Early Afternoon Sessions
Reconciling Analog Drawing Traditions with a Digital Future
New Media Caucus: Edge of Being
The Legacy of Jack Burnham on Video Game Art and Emerging New Media
Teaching code through art and design with MUGEN: the Mini UnGame ENgine
Market Data: Beyond Prices and Provenance
From Knowledge to Data in Art History
Late Afternoon Sessions
Early Computer Game Design and the Pleasure of Pragmatic Systems
Black Lunch Table Project: Wikipedia-edit-a-thon
New Media Caucus Panel: Being (T)here Presence and Embodiment in Video and Digital Art
Lost in Translation: Early Modern Global Art History and the Digital Humanities
Priorities, Concepts and Directions: Weaving Some Digital Accounts of Early Modern Textiles
What Lies Beneath: New Tools for direct exploration of Peter Paul Rubens's "The Fall of Phaeton"
Evening Sessions
Re-Weavings: Data, Grieving, and Embodied Practice for Climate Crises
Encoding the Everyday: Feminist Conceptual Art’s Resistance Self-Quantification